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Kudus, Jawa Tengah, Indonesia

Senin, 24 Juli 2017

Contoh Tugas Introduction Into Literature semester III



INTROLIT- A


Name : Muna Alfadlilah (150511100017)
             Nur Afiyah        (150511100027)




A. Disscusion
Analyze the intrinsic elements of the short story “War” by Luigi Pirandello ce A
1. Setting
Place : On the stuffy and smoky second class train at the small station of fabriano in italy.
Time : Dawn, in about 1916.
2. Plot
·         Exposititon : the pessangers who had left rome by the night express had to stop until down at the small station of Febriano in order to continue their journey by the small old.
·         Conflixt (rising action) : the women or the wife tried to find in the word of her husband and her friend something to console her in her deep sorrow, something that my show how her a mother should resign her self to send her son not even to.
·         Climax :
°         When the fat man speaks of decent boys.
°         Speaking about the feelings of every parents who  left their sons
°         Talking about the reason in the servise of heir sons  in the country
°         There was silence all around, everybody nodding as to approve.
·         Falling Action :
°         The words of the traveler on the fat man amazed and the women and almost stunned her.
°         She suddenly realized that is was not others who were wrong and could not  understand her but  her self who could not rise up to the same height of  those father andd mother willing to ressign.
·         Resolution : The fat man if his son is not really dead. He contempletes herquestion, realizes his son  is truly dead and that he will never see.
3. Conflict
 The conflict begins as private internal conflict in each passenger. It erupts as external conflict between the passengers as they express their private conflicts and grief. It becomes internal again when the "bulky woman" asks the fateful question of the "fat, red-faced man": "'Then...is your son really dead?'" The culmination of events makes clear that questions debating duty to country, number of sons and nephews at war, the anticipation of shipping out, and heroism in death are drowned out when true grief becomes overwhelming.
4. Character
·         Major :
1. Fat man (red face man with bloodshot eyes of the palest grey).
The who gave a beautiful words or advice that enlighten the minds of the travelers about the reason on the why their children or son need to leave them for the sake of their. This is main character of protagonist and this is has a flat character in this novel because have only one or two character traits that can be described in a few words.
·         Minor :
1. A bulky women
The one who is looking for the answers in deep sorrow or her son in which she does not  undesrstand the fight on her son. The character is subordinate character in this novel, and has a static character.
2. Husband ( accompanying the wife of the train )
3. other travelers who has their son in the war.
4. A man having "Two sons and three nephews at the front." He speaks of the nature of parental love: "Parental love is not like bread that can be broken to pieces and split amongst the children....".
5. Characterization
This type of short story is indirect characterization because it tell us live in the passage.
·         Appearence : behind her, puffing and moaning, followed hr husband, a tiny men: thin and weakly, his face death, white, his eyes small and bright and looking shy and uneasy.
·         Action : “Nasty and world” muttered the husband with a sad smile and he felt it his duty to explain to his travelling companions that the poor woman was to be patied for the war was taking away from her only son, a boy of twenty towhow both had devoted their entire life, even breaking up there home at surmona to follow him tto Rome, where he has to go as a student, then allowing him to voluenteer for war with an assurance, however that at least six month he would not be sent to the front and now, all of a sudden, receiving a wire saying thatt he was due to leave in three days time and asking them to go and see him off,
·         Word : “you should thanks God that your son is only leaving now for the front. Mine has been sent there the first day of the war “
·         Character relationship : A father gives all his love to each one of his children without discrimination, wether it be one or ten, and if I am suffering now for my two sons, Iam not suffering half for each of them but double.
·         Thoughts and feeling : and our son go, when they are twenty, and they don’t want tears, because if they die, they die inflamed and happy. Now, if one dies young and happy, without having the ugly sider of life, the boredom of it, the pattiness, the bitterness of dissilusion.
6. Point of View
            The third person POV because the narrator is telling a story about other people and narrator will use words like : he, she, him, their, them, they,  her and characters’ names. The type of third person narrator is omniscient because a narrtor who knows everything that needs to be known about the character and events in the story, and who has previleged access to a character’s thoughts, feelings, and motives.
7. Theme
·         we create our own reality, deceiving ourselves.
            While the passengers have different opinions over whose grief is greater, they all have strong patriotic feelings. No one even suggests that their sons shouldn’t have to fight in the war. It’s alright to feel sorrow, but it would be unthinkable to remove the cause.The old man speaks of his son as a hero who died for King and Country. Everyone listens raptly and congratulates him.
·         Intellectualizing Emotions
            The old man avoids dealing with his grief by intellectualizing over the death of his son. He claims that young people wouldn’t want their parents to cry over them “because if they die, they die inflamed and happy.” Instead, they should thank God that their children die satisfied and happy. The shocking tactlessness of the question destroys his fragile equilibrium, revealing his extreme anguish.
B. Conclusion
            War was written in 1918 and is not widely available in short story collections. It’s a moving glimpse at the effect of war on those left behind, the ordinary folks who make up the bulk of the population.




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